Stop Drawing. Ph. Vincenzo Labellarte. Courtesy Fondazione MAXXI
Visual identity and graphic design for the exhibition «Stop Drawing. Architettura oltre il disegno / Architecture beyond Representation, MAXXI National Museum of 21st Century Arts (Rome), 17.04.2025 — 21.09.2025
Curated by Pippo Ciorra
Exhibition design by DEMOGO Architecture Studio
Curated by Pippo Ciorra
Exhibition design by DEMOGO Architecture Studio
Together with society, architecture and the tools used to create and communicate it evolve. This exhibition explores these transformations through the evolution of its primary medium: drawing.
Drawing’s traditional role is now replaced by digital simulation procedures, practices derived from the art world, and political activism and participation exercises. These practices impact the discipline of architecture and the present and future of the spaces we design and live in.
Drawing’s traditional role is now replaced by digital simulation procedures, practices derived from the art world, and political activism and participation exercises. These practices impact the discipline of architecture and the present and future of the spaces we design and live in.
Stop Drawing. Ph. Musacchio, Pasqualini & Fucilla / MUSA. Courtesy Fondazione MAXXI
Stop Drawing. Ph. Musacchio, Pasqualini & Fucilla / MUSA. Courtesy Fondazione MAXXI
Stop Drawing. Ph. Musacchio, Pasqualini & Fucilla / MUSA. Courtesy Fondazione MAXXI
Stop Drawing. Ph. Musacchio, Pasqualini & Fucilla / MUSA. Courtesy Fondazione MAXXI
Stop Drawing. Ph. Musacchio, Pasqualini & Fucilla / MUSA. Courtesy Fondazione MAXXI
Stop Drawing. Ph. Musacchio, Pasqualini & Fucilla / MUSA. Courtesy Fondazione MAXXI
Stop Drawing. Ph. Vincenzo Labellarte. Courtesy Fondazione MAXXI
Stop Drawing. Ph. Vincenzo Labellarte. Courtesy Fondazione MAXXI
Stop Drawing. Ph. Vincenzo Labellarte. Courtesy Fondazione MAXXI
Stop Drawing. Ph. Vincenzo Labellarte. Courtesy Fondazione MAXXI
Stop Drawing. Ph. Vincenzo Labellarte. Courtesy Fondazione MAXXI
Stop Drawing. Ph. Vincenzo Labellarte. Courtesy Fondazione MAXXI
